The keyboard didn’t make a sound at first. Then, a low, breathy inhale—a sample of rain against a window, his studio’s window. Layered over it, a melody: not played, but drawn . Using the TS-10’s infamous polyphonic aftertouch, he’d programmed each note’s pressure curve. The result was a chord that swelled and decayed like a heartbeat, then fractured into a cascade of granular noise—the sound of a floppy disk seeking a lost sector.
There is for Kontakt from Ensoniq (E-MU), as the company is long defunct. Instead, the relationship is based on user-created sample libraries and DIY sampling. ensoniq ts-10 kontakt
The TS-10 features an onboard effects engine comparable to the legendary Ensoniq DP/4 unit, which gives sampled versions a "finished" studio sound right out of the box. Kontakt Libraries The keyboard didn’t make a sound at first