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The rise of the television anti-hero from the late 1990s through the 2010s provides a second case study. Characters like Tony Soprano ( The Sopranos ), Walter White ( Breaking Bad ), and Don Draper ( Mad Men ) were deeply flawed—racist, murderous, misogynistic, or fraudulent—yet audiences were invited to identify with them. This trend did not emerge in a cultural vacuum. It reflected post-Watergate cynicism, the anxiety of late-stage capitalism, and a growing distrust of traditional institutions. have shifted the model from scheduled broadcasting to
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Based on the findings of this review, several recommendations can be made: