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: Lhote posits that a painter should not "copy" a tree, but find a geometric or rhythmic equivalent that translates the sensation of the tree onto a flat surface.

A central theme of the treatise is that nature is merely a "raw material" for the artist. Lhote critiques the amateur’s desire to copy nature exactly, asserting that the true artist must transform what their eye "circumscribes" into a poetic and realistic construction. This transformation requires a "gift of feeling" that cannot be taught, though technical methods can help the artist refine their unique mode of expression. tratado del paisaje andre lhote pdf