“Silence is a character,” Salazar notes. “When the projector stops, we hear the breath of the sea, the sigh of the wind, the rustle of old newspapers. Those sounds become the unspoken dialogue between Ophelia and Alice.”
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Through the fragmented projections, the piece illustrates how memories are selective and malleable. The film never offers a definitive “truth” about any of the characters’ pasts; instead, it embraces the fluidity of recollection. “Silence is a character,” Salazar notes
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