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For decades, the relationship between the audience and the entertainment industry was a one-way street. Studios, networks, and record labels acted as gatekeepers, feeding the public a diet of formulaic sitcoms, predictable blockbusters, and disposable pop songs. The prevailing logic was simple: if it sold tickets, it was "good enough."
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A necessary warning: The pursuit of "better" entertainment cannot become a cudgel for elitism. A Marvel movie is not inherently "worse" than a foreign art film. Paddington 2 is better entertainment than The Idol , despite one being a kids' movie and the other being "prestige." For decades, the relationship between the audience and
