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While she has always worked, Streep’s post-2000 career (post-age 50) became a masterclass in power. From the iron-willed editor Miranda Priestly in The Devil Wears Prada to the rock-star grandmother in Mamma Mia! and the erratic conductor in The Prom , Streep proved that the "character actress" label is not a consolation prize but the highest achievement. She normalized the idea that women in their 60s and 70s can be villains, heroes, and sex symbols. The crisp air and the quiet of the
You cannot have mature women on screen without mature women (and empathetic men) in the writer’s room and the director’s chair. The rise of female auteurs over 50 has been the silent engine of this renaissance.