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Michael Haneke’s adaptation of Elfriede Jelinek’s novel is the most disturbing modern exploration of the mother-son (or rather, mother-daughter, as the protagonist is female—but the dynamic is transferable) relationship. Erika Kohut (Isabelle Huppert) is a middle-aged piano professor who still sleeps in the same bed as her domineering, castrating mother. Their relationship is a closed loop of sadomasochistic ritual, from shared shopping trips to mutual destruction. When Erika attempts a relationship with a male student, she is incapable of healthy intimacy, only able to express desire through self-harm and degradation. Haneke’s thesis is bleak: a mother who refuses to release her child does not create an adult; she creates a ruin.

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